视频推荐
鹤壁电影院,使徒行者2
导火新闻线电影,利兹与青鸟
类似白鹿原的电影,少年亚当
晴雅集电影在线观看完整版免费,意外抢匪
哥 你好电影迅雷下载,骗中骗2017
猿 电影,金氏便利店 第五季
日式捆绑电影,露西亚别后
付费电影怎么看,魔法少女奈叶TheMOVIE2ndAs
穿越电影,端脑
最新电影在线观看完整版免费,我很好,谢谢,我爱你
八度电影免费首页2,还来得及再爱你
九七电影网写真正片,夏色奇迹
关于监控的电影,降魔天师
看看屋伦理电影,第八页
电影韩国大尺度在线看,美国土匪:弗兰克与杰西詹姆斯
下载影视频道,命运/新章最终回响
天狗电影在线观看完整版,坏男孩与疯女孩 第二季
秋霞伦里电影,神之复仇攻略
不忠电影在线观看全集免费,动物狂想曲第二季
没有的事 电影,封面有男天
我的朋友她的妻子电影,宝贝和我
禁忌的爱韩国电影,青之驱魔师 剧场版
恐怖笔记本电影,女子监狱 第一季
国产电影院在线观看,灵书妙探 第六季
天渠电影在线观看,灵书妙探 第四季
四虎影视免费视频,白雪公主斗牛记
秋霞电影网先锋影音,办公室之主

拉莉萨

类型: 短片,传记,剧情片,剧情
地区: 其它
年份: 1980
主演: 依莱姆·克里莫夫,Valentin Rasputin,Stefaniya Stanyuta
导演: 依莱姆·克里莫夫

剧情介绍

A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.  Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
热门推荐